Vogue Italiaさんのインスタグラム写真 - (Vogue ItaliaInstagram)「@CamilaFalquez shot these pictures - a gorgeous spectrum of people wearing the @Gucci Epilogue collection by @Alessandro_Michele - on US election day. As a foreign citizen, she could not participate at the ballot box, but she used this charged moment, bursting with potential and divergent futures, to make her voice heard in the way she knows best: her photography. Falquez's process and perspective is the result of many years of hard work and reflection. "I am a Colombian who grew up in Barcelona, and that means that I grew up with art history that only spoke about one thing: that history of the white power and that was what I would see represented in art and in the descriptions of beauty," she says. "So when you go to the Louvre, to the National Gallery or El Prado, you would see these paintings, and they were like, 'this is beauty," and we admire it, but essentially beauty is a trick: what we've been taught beauty 'is' is actually what they're telling us should be maintained in power. And if you look at who is in those old paintings, it's still the same people in power." Falquez’ work can be understood as a kind of sympathetic magic. An empowering, imitative ritual in which she stages her subjects - often sidelined by the powerful - in the very modes of power, using the frames and motifs often reserved for them.    Read the full interview with the artist by @Otamere and discover more pictures in the December Issue of Vogue Italia and via link in bio. #GucciEpilogue  Full Credits: Styling @Malaikamc Set design @MatCullen Hair @EvanieFrausto  Makeup @StevieHuynh Manicure @nailsbyMei」12月15日 23時57分 - vogueitalia

Vogue Italiaのインスタグラム(vogueitalia) - 12月15日 23時57分


@CamilaFalquez shot these pictures - a gorgeous spectrum of people wearing the @グッチ Epilogue collection by @Alessandro_Michele - on US election day. As a foreign citizen, she could not participate at the ballot box, but she used this charged moment, bursting with potential and divergent futures, to make her voice heard in the way she knows best: her photography. Falquez's process and perspective is the result of many years of hard work and reflection. "I am a Colombian who grew up in Barcelona, and that means that I grew up with art history that only spoke about one thing: that history of the white power and that was what I would see represented in art and in the descriptions of beauty," she says. "So when you go to the Louvre, to the National Gallery or El Prado, you would see these paintings, and they were like, 'this is beauty," and we admire it, but essentially beauty is a trick: what we've been taught beauty 'is' is actually what they're telling us should be maintained in power. And if you look at who is in those old paintings, it's still the same people in power." Falquez’ work can be understood as a kind of sympathetic magic. An empowering, imitative ritual in which she stages her subjects - often sidelined by the powerful - in the very modes of power, using the frames and motifs often reserved for them.

Read the full interview with the artist by @Otamere and discover more pictures in the December Issue of Vogue Italia and via link in bio.
#GucciEpilogue

Full Credits:
Styling @Malaikamc
Set design @MatCullen
Hair @EvanieFrausto
Makeup @StevieHuynh
Manicure @Mei Kawajiri


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