トームさんのインスタグラム写真 - (トームInstagram)「#Tome #SS16 #Vogue . NEW YORK, SEPTEMBER 10, 2015 by #CHIOMANNADI Ramon Martin and Ryan Lobo have had some pretty impressive women pinned to Tome’s mood board in seasons past, including #LouiseBourgeois, #SylviaPlath, and #DorothyParker to name a few. For Spring, though, their muse, the pioneering Australian visual artist #FionaHall, fell a lot closer to home. “Ryan and I discovered her before we knew each other, when we were both in high school,” said Martin who, like his design partner, grew up Down Under. “We saw her latest project at the #VeniceBiennale recently, and immersed ourselves in her work all over again.” That powerful energy was reflected in the show’s casting today: The lineup featured unexpected faces, such as veteran ’90s models #ClaudiaMason and #EstherdeJong (and #BrunaTenoria and #YasminWarsame ) More familiar themes came through in the clothes themselves: Menswear stripes, deconstructed trenchcoats, and shirting are fast becoming Tome signatures. With Hall’s thought-provoking sardine can art as a starting point, the palette was somewhat subdued for a Spring collection. Painterly flourishes did appear in the form of a palm frond print on a lightweight coat with billowing sleeves, a leitmotif that was created by an artist friend in the label’s Chelsea studio. There was an artisanal touch to the fish scale lace panels of one blush pink jacket too, and a white lace evening dress came peppered with crystals. Overall, the voluminous silhouette recalled the exuberance of a particular set of late-’70s muses, and you could imagine #MarieHelvin, #JerryHall, or #PatCleveland swirling on the dance floor of famed Parisian nightclub Le Sept in any of the ruffled peasant skirts and halter tops, even if the more layered, paper-bag belted looks would be tricky for mere mortals to pull off. Still, many of the pieces—those charming asymmetrical ruffled blouses in particular—will hold their own in a modern working wardrobe come the spring. . #artmadebywomen」10月25日 7時29分