メトロポリタン美術館さんのインスタグラム写真 - (メトロポリタン美術館Instagram)「Mime as protest? Just ask Canadian photographer Suzy Lake. ✨  In 1968, our #WomanCrushWednesday was studying mime and created this photomontage—a master class in nonverbal communication as Lake expresses her frustrations with the Canadian women’s magazine Chatelaine and its spinoff, Miss Chatelaine.  To keep up with the times, both publications ditched their outdated emphasis on domesticity and took up the banner of women’s liberation. Lake’s unsettling self-portraits mimic what she saw as the magazines’ bogus makeover to mass-market feminism.  See this work alongside more contemporary photos that explore visual appropriation—the practice of using pre-existing imagery such as familiar ads, popular photographs, or logos—in #PicturesRevisited, on view now through May 9.  Tap the link in bio to learn more.  📸 Suzy Lake (American-Canadian, b. 1947) Miss Chatelaine, 1973. Gelatin silver print, 1996. © Suzy Lake. @metphotographs」10月22日 10時38分 - metmuseum

メトロポリタン美術館のインスタグラム(metmuseum) - 10月22日 10時38分


Mime as protest? Just ask Canadian photographer Suzy Lake. ✨

In 1968, our #WomanCrushWednesday was studying mime and created this photomontage—a master class in nonverbal communication as Lake expresses her frustrations with the Canadian women’s magazine Chatelaine and its spinoff, Miss Chatelaine.

To keep up with the times, both publications ditched their outdated emphasis on domesticity and took up the banner of women’s liberation. Lake’s unsettling self-portraits mimic what she saw as the magazines’ bogus makeover to mass-market feminism.

See this work alongside more contemporary photos that explore visual appropriation—the practice of using pre-existing imagery such as familiar ads, popular photographs, or logos—in #PicturesRevisited, on view now through May 9.

Tap the link in bio to learn more.

📸 Suzy Lake (American-Canadian, b. 1947) Miss Chatelaine, 1973. Gelatin silver print, 1996. © Suzy Lake. @metphotographs


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