ブルックリン美術館のインスタグラム(brooklynmuseum) - 9月23日 23時04分

A speculative, fantastical vision of historical figures and events, Tourmaline’s (@tourmaliiine) Salacia follows Mary Jones, a Black trans woman and sex worker who lived in New York in the 1830s. Jones navigates brutal systems of racism and transphobia, including incarceration at Castle Williams, located on present-day Governors Island. Tourmaline imagines Jones within the free Black landowning community Seneca Village, and foreshadows the village’s destruction through eminent domain to build Central Park. Salacia meditates on the intergenerational trauma of displacement, by connecting Tourmaline’s historical reveries of Jones to the life and advocacy of trans activist Sylvia Rivera (1951-2002). ⁠⠀
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See Salacia in full as part of our Art on the Stoop: #SunsetScreenings series—showing each Wednesday, Thursday, and Sunday through October 11, starting at 6pm.⁠⠀
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Tourmaline (born Boston, Massachusetts, 1983) Salacia, 2019 [Excerpt]. Single-channel video (color, sound): 6 min., 4 sec. Written, directed, and produced by Tourmaline⁠. Brooklyn Museum; Co-commissioned by the Brooklyn Museum and High Line Art, presented on the High Line by Friends of the High Line and the New York City Department of Parks & Recreation, and gift of the artist with support from the Mary Smith Dorward Fund 2019.39

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