ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#GagosianQuarterly: "Matisse’s reaction to the privations of the war took the form of a self-imposed restriction of means, making do with less in his art as well as in his life. This response, which was ethical as well as pictorial, only increased the intensity of what he achieved." —John Elderfield  In the essay, “Lockdown: Henri Matisse’s Domestic Interiors,” John Elderfield reexamines "The Piano Lesson" (1916) and "The Music Lesson" (1917), considering the works’ depictions of domestic space during the tumult of World War I. Follow the link in our bio to read the “Gagosian Quarterly” article. __________ #HenriMatisse #Gagosian (1) Henri Matisse, "The Piano Lesson," 1916, The Museum of Modern Art, New York, Mrs. Simon Guggenheim Fund. Photo: © The Museum of Modern Art/Licensed by Scala/Art Resource, New York; (2) Henri Matisse, "The Music Lesson," 1917, The Barnes Foundation, Philadelphia. Photo: © 2020 The Barnes Foundation」9月14日 23時10分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 9月14日 23時10分


#GagosianQuarterly: "Matisse’s reaction to the privations of the war took the form of a self-imposed restriction of means, making do with less in his art as well as in his life. This response, which was ethical as well as pictorial, only increased the intensity of what he achieved."
—John Elderfield

In the essay, “Lockdown: Henri Matisse’s Domestic Interiors,” John Elderfield reexamines "The Piano Lesson" (1916) and "The Music Lesson" (1917), considering the works’ depictions of domestic space during the tumult of World War I. Follow the link in our bio to read the “Gagosian Quarterly” article.
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#HenriMatisse #Gagosian
(1) Henri Matisse, "The Piano Lesson," 1916, The Museum of Modern Art, New York, Mrs. Simon Guggenheim Fund. Photo: © The Museum of Modern Art/Licensed by Scala/Art Resource, New York; (2) Henri Matisse, "The Music Lesson," 1917, The Barnes Foundation, Philadelphia. Photo: © 2020 The Barnes Foundation


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