Magnum Photosさんのインスタグラム写真 - (Magnum PhotosInstagram)「“Die Vier Hoeke (The Four Corners) is part of a bigger artistic commitment to exploring the penal system, ignited by a time of judicial tension back in 2004. I became very aware of issues of representation, and the challenges of making images in a part of society where power balances are particularly skewed.” - @mikhael_subotzky⁠ .⁠ Subotzky expands on the political context of his work made in South Africa, which was prompted in 2004 by a governmental ruling revoking prisoners' rights to vote.⁠ .⁠ See more of Subotzky's images alongside his reflections on making this body of work at the link in bio.⁠ .⁠ PHOTO: Exercise yard, Voorberg Prison.  Porterville. 2004. South Africa.⁠ .⁠ © @mikhael_subotzky/#MagnumPhotos」9月7日 23時01分 - magnumphotos

Magnum Photosのインスタグラム(magnumphotos) - 9月7日 23時01分


“Die Vier Hoeke (The Four Corners) is part of a bigger artistic commitment to exploring the penal system, ignited by a time of judicial tension back in 2004. I became very aware of issues of representation, and the challenges of making images in a part of society where power balances are particularly skewed.” - @mikhael_subotzky
.⁠
Subotzky expands on the political context of his work made in South Africa, which was prompted in 2004 by a governmental ruling revoking prisoners' rights to vote.⁠
.⁠
See more of Subotzky's images alongside his reflections on making this body of work at the link in bio.⁠
.⁠
PHOTO: Exercise yard, Voorberg Prison. Porterville. 2004. South Africa.⁠
.⁠
© @mikhael_subotzky/#MagnumPhotos


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