Vogue Italiaさんのインスタグラム写真 - (Vogue ItaliaInstagram)「The #AboutHappiness Issue of Vogue Italia features a conversation with @LouisVuitton’s Creative Director @NicolasGhesquiere and Italian costume designer Milena Canonero who, for the last #LouisVuitton Fall-Winter 2020 Ready-To-Wear Show created a monumental backdrop of 200 choral singers, each one clothed in historical garb dating from the 15th century to 1950. A journey through time, through epochs and styles, for a memorable fashion show which, due to the sudden start of the lockdown, symbolically marked the apex of a fashion era and at the same time provided the final scene before the curtain came down over an entire fashion chapter. “At the outset I wanted to embrace different periods, develop them and put them on stage in the same space” reveals Ghesquière. “I wanted a clash of time, of times, between yesterday, today and tomorrow. The chorus and all Milena’s characters embodied the past observing the new collection, and, in my head, they represented the present; the audience, however, was the future, that segment of time that is in the hands of humans. I never thought that this show could be the last of the season anywhere worldwide, and perhaps the last of its kind. I sincerely hope that we will again be able to enjoy the freedom to create other shows of this importance, but, while waiting, it is important to reinvent ourselves.” Read the full conversation in our #AboutHappiness issue on newsstands today.  Text by @iwanttextwithyou」7月24日 1時31分 - vogueitalia

Vogue Italiaのインスタグラム(vogueitalia) - 7月24日 01時31分


The #AboutHappiness Issue of Vogue Italia features a conversation with @ルイ・ヴィトン’s Creative Director @ニコラ・ジェスキエール and Italian costume designer Milena Canonero who, for the last #LouisVuitton Fall-Winter 2020 Ready-To-Wear Show created a monumental backdrop of 200 choral singers, each one clothed in historical garb dating from the 15th century to 1950. A journey through time, through epochs and styles, for a memorable fashion show which, due to the sudden start of the lockdown, symbolically marked the apex of a fashion era and at the same time provided the final scene before the curtain came down over an entire fashion chapter. “At the outset I wanted to embrace different periods, develop them and put them on stage in the same space” reveals Ghesquière. “I wanted a clash of time, of times, between yesterday, today and tomorrow. The chorus and all Milena’s characters embodied the past observing the new collection, and, in my head, they represented the present; the audience, however, was the future, that segment of time that is in the hands of humans. I never thought that this show could be the last of the season anywhere worldwide, and perhaps the last of its kind. I sincerely hope that we will again be able to enjoy the freedom to create other shows of this importance, but, while waiting, it is important to reinvent ourselves.”
Read the full conversation in our #AboutHappiness issue on newsstands today.
Text by @iwanttextwithyou


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