ロサンゼルスカウンティ美術館のインスタグラム(lacma) - 12月1日 09時16分

Betye Saar’s creative process starts with a particular found object—a piece of leather, a cot, a tray, a birdcage, an ironing board—since she feels objects have stories to tell. These objects are ordinary, used, slightly debased, things the rest of us would simply pass by. After identifying a primary object, Saar surveys her stockpile of other found materials to see what feels appropriate to combine with it. Only when she has arrived at a vision of the final work in her mind’s eye does she make a sketch. In her words, “The sketch is to remind me how [a piece] is going to look when I get it put together.” See Saar's sketchbooks paired with finished assemblages in "Betye Saar: Call and Response," now on view.
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Shown here: 1. Betye Saar, "The Edge of Ethics," 2010, © Betye Saar, Photo © Museum Associates/ LACMA. 2. Betye Saar, Sketchbook, 2009–2010, © Betye Saar, photo © Museum Associates/ LACMA.

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