グッゲンハイム美術館のインスタグラム(guggenheim) - 4月17日 07時56分
In 1998 visitors to "China: 5,000 Years" encountered four colored pillars that sliced through the rotunda's ramps. Aligned with the four cardinal directions, each featured calligraphy alluding to the mythical creatures of the Chinese zodiac that correspond with each direction and color. These colossal columns, part of the exhibition's design by architect Arata Isozaki (winner of the 2019 Pritzker Architecture Prize) in collaboration with Adegboyega Adefope, were a dramatic unifying gesture in an exhibition that brought together works of art spanning the Neolithic period to the late 1990s, many of which had never been seen outside China.
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Since opening in 1959, our Frank Lloyd Wright-designed museum has served as inspiration for invention, challenging artists and architects to react to its eccentric, organic design. Follow #Guggenheim60 to discover more artist interventions during our 60th anniversary year!
Photo: Ellen Labenski
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