ブルックリン美術館のインスタグラム(brooklynmuseum) - 3月29日 21時27分

Although best known for her elaborate self-presentations as an iconic Tehuana woman, Kahlo also constructed and performed alternative versions of herself. She focused on her clothing, hair styling, and accessories to fashion diverse, complex — and at times contradictory — identities for herself, including her gender. In “Self-Portrait with Cropped Hair,” we see an example of such an act of self-transformation from Tehuana (whose braids and loose hair litter the ground) to an alternative androgynous being. #FridaKahloBKM⁣⠀
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A pesar de ser conocida por sus autorrepresentaciones como una icónica mujer tehuana, Kahlo elaboró y presentó versiones alternas de sí misma. Se concentró en su vestuario, peinados y accesorios para construir complejas —y por momentos contradictorias— identidades, incluyendo su género. En “Autorretrato con pelo cortado” vemos un ejemplo de un acto de autotransformación, de mujer tehuana (cuyas trenzas y pelos sueltos están esparcidos por el suelo) a un ser andrógino alternativo.⁣⠀
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Emmy Lou Packard (American, 1914—1998). Frida Standing Against Wall, 1941. Gelatin silver print. Courtesy of Throckmorton Fine Art ⇨ Frida Kahlo (Mexican, 1907-1954). Self-Portrait with Cropped Hair, 1940. Oil on canvas. Museum of Modern Art, Gift of Edgar Kaufmann, Jr. © 2019 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York. (Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY)⁣⠀

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