For this week’s cover story, @time turned to @davidemonteleonestudio to create a series of powerful black and white #portraits that humanize the larger story of global #migration. Inspiration came from his personal project “In the Russian East,” which was influenced by Richard #Avedon’s renowned series “In the American West.” Both photographers were inventive in how they framed their subjects—allowing the individuals or #families to literally carry over across the borders of the image. “The choice was appropriate to recall what America is built on: a large number of working migrants from all over the world,” Monteleone told @time. “This is equally true nowadays in Europe.” Monteleone and a small multimedia team traveled to #Tijuana in late November 2018, as a large #migrant caravan arrived at the U.S.-Mexico border. He taped a white vinyl backdrop on a wall outside a camp, and in between rain showers he interviewed and photographed dozens of migrants. “Eliminating the desperate conditions in which migrants are generally depicted allows the viewer to reflect on the story of the individual rather than the stereotypical ideas surrounding the migratory experience,” he said. Monteleone also traveled to Germany to photograph migrants who fled the civil war in Syria and to Murfreesboro, Tenn. There, he photographed Albertina and her daughter, Yaquelin, seen here, as they wait to hear if they will be granted #asylum in the U.S. Read @time's full special report, on why the forces of global migration can’t be stopped, at the link in bio. Photograph by @davidemonteleonestudio for TIME

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TIME Magazineのインスタグラム(time) - 1月24日 22時45分


For this week’s cover story, @TIME Magazine turned to @davidemonteleonestudio to create a series of powerful black and white #portraits that humanize the larger story of global #migration. Inspiration came from his personal project “In the Russian East,” which was influenced by Richard #Avedon’s renowned series “In the American West.” Both photographers were inventive in how they framed their subjects—allowing the individuals or #families to literally carry over across the borders of the image. “The choice was appropriate to recall what America is built on: a large number of working migrants from all over the world,” Monteleone told @TIME Magazine. “This is equally true nowadays in Europe.” Monteleone and a small multimedia team traveled to #Tijuana in late November 2018, as a large #migrant caravan arrived at the U.S.-Mexico border. He taped a white vinyl backdrop on a wall outside a camp, and in between rain showers he interviewed and photographed dozens of migrants. “Eliminating the desperate conditions in which migrants are generally depicted allows the viewer to reflect on the story of the individual rather than the stereotypical ideas surrounding the migratory experience,” he said. Monteleone also traveled to Germany to photograph migrants who fled the civil war in Syria and to Murfreesboro, Tenn. There, he photographed Albertina and her daughter, Yaquelin, seen here, as they wait to hear if they will be granted #asylum in the U.S. Read @TIME Magazine's full special report, on why the forces of global migration can’t be stopped, at the link in bio. Photograph by @davidemonteleonestudio for TIME


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