ブルックリン美術館のインスタグラム(brooklynmuseum) - 1月8日 07時09分

Portraiture was a service that was once reserved for people of wealthy or royal status. It later evolved and became more accessible as a means of capturing one’s essence, preserving age, style, character, and time itself with the stroke of a brush or the click of a camera. Artists of the Black power movement used portraiture as a means of controlling their own narrative and increasing Black representation in a Eurocentric world. #SoulofaNationBKM⠀
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Emma Amos (American, born 1938). Eva the Babysitter, 1973. Oil on canvas. Courtesy of the artist and Ryan Lee Gallery, New York. © Emma Amos. Licensed by VAGA at Artists Rights Society (ARS), New York ⇨ Herb Robinson (American). Miles Davis, 1960's. Gelatin silver print on paper. Collection of the Artist. © Herb Robinson ⇨ Barkley L. Hendricks, (American, 1945–2017). Blood (Donald Formey), 1975. Oil and acrylic on canvas. Courtesy of Dr. Kenneth Montague | The Wedge Collection, Toronto. © Estate of Barkley L. Hendricks. Courtesy of the artist’s estate and Jack Shainman Gallery, New York. ⇨ Wadsworth A. Jarrell (American, born 1929). Revolutionary (Angela Davis), 1971. Acrylic and mixed media on canvas. Brooklyn Museum, Gift of R. M. Atwater, Anna Wolfrom Dove, Alice Fiebiger, Joseph Fiebiger, Belle Campbell Harris, and Emma L. Hyde, by exchange, Designated Purchase Fund, Mary Smith Dorward Fund, Dick S. Ramsay Fund, and Carll H. de Silver Fund, 2012.80.18. © Wadsworth A. Jarrell. ⇨ Dawoud Bey, [Detail] A Man in a Bowler Hat, 1976, printed by 1979. Silver gelatin print. The Art Institute of Chicago, Chicago. Restricted gift of Kevin and Jeanne Poorman. © Dawoud Bey.

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