Black women were the heartbeat of the Civil Rights and Black Power movement, often working behind the scenes keeping the dynamic activists groups afloat with dynamic programs to benefit the community, organizing protests and marches, writing publications, giving speeches, and more, all while simultaneously combating racism, sexism and challenging gender roles. Black women artists during this time continued to push the envelope by experimenting with new mediums, concepts, and illustrating their own narratives. #SoulofaNationBKM⠀ ⠀ #AlmaThomas (American, 1891–1978). Mars Dust, 1972. Acrylic on canvas. @thewhitney, New York; purchase, with funds from The Hament Corporation, 72.58. © Estate of Alma W. Thomas. ⇨ #EmmaAmos (American, born 1938). Eva the Babysitter, 1973. Oil on canvas. Courtesy of the artist and Ryan Lee Gallery, New York. © Emma Amos. Licensed by VAGA at Artists Rights Society (ARS), New York ⇨ #JaeJarrell (American, born 1935). Revolutionary Suit, 1969, remade 2010. Wool, suede, silk, wood, pigment. Brooklyn Museum, William K. Jacobs, Jr. Fund, 2017.3a–b. © Jae Jarrell. ⇨ #MingSmith (American, b. 1947). When You See Me Comin' Raise Your Window High, 1972. Gelatin Silver Print. Courtesy of Steven Kasher Gallery and the artist. © Ming Smith. ⇨ #BetyeSaar (American, born 1926). Eye, 1972. Acrylic on leather. Collection of Sheila Siber and David Limburger. © Betye Saar. Courtesy of the artist and Roberts Projects, Los Angeles ⇨ #CarolynLawrence (American, born 1940). Uphold Your Men, 1971. Screenprint on paper. Courtesy Lusenhop Fine Art. © Carolyn Mims Lawrence. ⇨ #ElizabethCatlett (American, 1915–2012). Black Unity, 1968. Cedar. Crystal Bridges Museum of American Art, Bentonville, Arkansas. © Catlett Mora Family Trust. Licensed by VAGA at Artists Rights Society (ARS), New York, NY. (Photo: Edward C. Robison III)⠀

brooklynmuseumさん(@brooklynmuseum)が投稿した動画 -

ブルックリン美術館のインスタグラム(brooklynmuseum) - 12月14日 00時02分


Black women were the heartbeat of the Civil Rights and Black Power movement, often working behind the scenes keeping the dynamic activists groups afloat with dynamic programs to benefit the community, organizing protests and marches, writing publications, giving speeches, and more, all while simultaneously combating racism, sexism and challenging gender roles. Black women artists during this time continued to push the envelope by experimenting with new mediums, concepts, and illustrating their own narratives. #SoulofaNationBKM⠀

#AlmaThomas (American, 1891–1978). Mars Dust, 1972. Acrylic on canvas. @thewhitney, New York; purchase, with funds from The Hament Corporation, 72.58. © Estate of Alma W. Thomas. ⇨ #EmmaAmos (American, born 1938). Eva the Babysitter, 1973. Oil on canvas. Courtesy of the artist and Ryan Lee Gallery, New York. © Emma Amos. Licensed by VAGA at Artists Rights Society (ARS), New York ⇨ #JaeJarrell (American, born 1935). Revolutionary Suit, 1969, remade 2010. Wool, suede, silk, wood, pigment. Brooklyn Museum, William K. Jacobs, Jr. Fund, 2017.3a–b. © Jae Jarrell. ⇨ #MingSmith (American, b. 1947). When You See Me Comin' Raise Your Window High, 1972. Gelatin Silver Print. Courtesy of Steven Kasher Gallery and the artist. © Ming Smith. ⇨ #BetyeSaar (American, born 1926). Eye, 1972. Acrylic on leather. Collection of Sheila Siber and David Limburger. © Betye Saar. Courtesy of the artist and Roberts Projects, Los Angeles ⇨ #CarolynLawrence (American, born 1940). Uphold Your Men, 1971. Screenprint on paper. Courtesy Lusenhop Fine Art. © Carolyn Mims Lawrence. ⇨ #ElizabethCatlett (American, 1915–2012). Black Unity, 1968. Cedar. Crystal Bridges Museum of American Art, Bentonville, Arkansas. © Catlett Mora Family Trust. Licensed by VAGA at Artists Rights Society (ARS), New York, NY. (Photo: Edward C. Robison III)⠀


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