ブルックリン美術館のインスタグラム(brooklynmuseum) - 11月6日 06時57分


Using satire and sarcasm, Circus Equipment questions the meaning and assumed uses of everyday objects. #AnnetteLemieux transforms stools designed for performances by circus animals into minimal sculpture, evoking the soapbox as an impromptu stage for ad hoc political speeches. As election day approaches, Lemieux’s work evokes subtle connections between performance and politics. #halfthepicturebkm

Annette Lemieux (born Norfolk, Virginia, 1957) Circus Equipment, 2004. Milk paint on wood. Gift of Timothy and Karin Greenfield-Sanders, 2010.57a–c


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