Vogueのインスタグラム(voguemagazine) - 10月11日 04時08分

When The Girl in the Spider’s Web comes out, next month, it is likely to be received as a Time’s Up–era film: the heroics of a powerful young feminist vigilante who works to punish predatory men. #ClaireFoy bristles at that idea. “The movement can’t be something just used as a tool to market a movie,” she says. “I’d be ashamed.” For one thing, she points out, such a framing is at odds with history: Larsson created Lisbeth Salander nearly two decades ago—long before the current reckoning. “It’s not ‘of the moment,’ ” she says of the film’s approach. “That massively diminishes what activists and feminists have been saying all along. It just so happens now people are listening.” For another, she thinks that Lisbeth is—well, much too weird to hang a movement on. “Lisbeth finds the world very confusing, and finds emotional relationships with people incredibly confusing,” Foy explains. “Her sense of justice is more than most people’s.” Tap the link in our bio to read Foy's full cover story. Photographed by @davidsimsofficial, styled by #CamillaNickerson, Vogue, November 2018

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