TIME Magazineのインスタグラム(time) - 10月5日 21時01分

If you’ve looked at a screen at any point over the past few months, you’ve probably seen the trailer for A Star Is Born—at a movie ­theater, on TV or on YouTube, where it’s already been viewed 9.2 million times. A Star Is Born, starring Bradley Cooper, photographed on March 4, 2015, and @レディー・ガガ, isn’t even out yet, and it has already ascended to the sort of pop-­culture juggernaut status typically reserved for superhero fare. When Cooper, who co-wrote, directed and stars in the film, took the helm as a director for the first time on A Star Is Born, he had no guarantee that this movie, a remake of one of the most iconic stories of the past century, starring himself opposite one of the most potent symbols of postmodern celebrity, would even work. He’d never sung on camera before. She’d never starred in a movie before. The stakes were high. The margin for error was slim. The film premiered at the Venice Film Festival in late Aug. to critical acclaim, quickly sparking awards buzz for both Cooper and Gaga. It’s not just festival hype. A Star Is Born is a true pleasure to watch, triumphant and sad and rich with a texture that’s anchored by two deeply felt performances. “It’s the exact movie I wanted to make,” Cooper tells TIME, calling it “an artistic catharsis.” But like the movie, his emotions are complicated. “There’s a sadness in giving something away,” he says. “It doesn’t belong to you anymore.” When the film opens on Oct. 5, it will belong, instead, to the world. And it’s not difficult to imagine what happens next. A Star Is Born’s story is ultimately tragic, but it’s not a downer. And in a year when many of the best films have tackled worthy social issues, this one stands out because it’s just a big, old-­fashioned love story—the kind Hollywood has all but stopped making. It’s likely to be both a commercial success and an awards-­season shoo-in. “To me it’s about the power of believing in someone, and believing in yourself,” Gaga tells TIME. “Now it’s really up to the public to decide what the movie means to them.” Read more on TIME.com. Photograph by @sebkimstudio for TIME

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