✨@thelastmagazine story out now!✨ "If most teen movies are concerned with a loss of innocence, then Max Winkler’s new film Flower, out this March and starring Zoey Deutch, is not your typical teen movie. In Flower, the 23-year-old Deutch plays Erica Vandross, a seventeen-year-old whose sexual confidence far outstrips her certainty in other parts of life. Her modus operandi is to offer blow jobs to men she can extort for money, saving up so that she can bail her father out of jail. “I think that ultimately most coming of age movies portray vulnerability as a loss of innocence, but by the end of this movie, it’s the opposite direction,” says Deutch, who in real life speaks with the same breakneck cadence as her character. Though the plot is driven largely by some decisions of dubious morality on Erica’s part, the audience feels at least empathetic, if not quite sympathetic, toward her—a fact that speaks volumes about Deutch’s ability to tap into the subtleties of being human and, more specifically, a teenager who’s desperately trying to cover her fear of abandonment. “You have to believe that beyond all of Erica’s bravado there’s this fragile girl,” points out Deutch. “A movie like Flower is about the regaining of innocence and about the learning process of allowing yourself to be vulnerable.” ✨Story by Annette Lin. ✨Photography by Annemarie Von Dimmelen. ✨Styling by Caroline Newell. ✨Hair by Greggory Russel. ✨Makeup by Rachel Goodwin.✨

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ゾーイ・ドゥイッチのインスタグラム(zoeydeutch) - 3月13日 23時06分


@thelastmagazine story out now!✨ "If most teen movies are concerned with a loss of innocence, then Max Winkler’s new film Flower, out this March and starring Zoey Deutch, is not your typical teen movie.
In Flower, the 23-year-old Deutch plays Erica Vandross, a seventeen-year-old whose sexual confidence far outstrips her certainty in other parts of life. Her modus operandi is to offer blow jobs to men she can extort for money, saving up so that she can bail her father out of jail. “I think that ultimately most coming of age movies portray vulnerability as a loss of innocence, but by the end of this movie, it’s the opposite direction,” says Deutch, who in real life speaks with the same breakneck cadence as her character. Though the plot is driven largely by some decisions of dubious morality on Erica’s part, the audience feels at least empathetic, if not quite sympathetic, toward her—a fact that speaks volumes about Deutch’s ability to tap into the subtleties of being human and, more specifically, a teenager who’s desperately trying to cover her fear of abandonment. “You have to believe that beyond all of Erica’s bravado there’s this fragile girl,” points out Deutch. “A movie like Flower is about the regaining of innocence and about the learning process of allowing yourself to be vulnerable.” ✨Story by Annette Lin. ✨Photography by Annemarie Von Dimmelen. ✨Styling by Caroline Newell. ✨Hair by Greggory Russel. ✨Makeup by Rachel Goodwin.✨


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