ニューヨーク・タイムズのインスタグラム(nytimes) - 2月17日 09時33分

Kengo Kuma (@kkaa_official) is the most famous Japanese architect Americans have never heard of. That’s mostly due to his sparse record of building outside of East Asia; he has only one public commission in the U.S., a “cultural village” for the @portlandjapanesegarden in Portland, Oregon. Many of his notable works are in rural areas and serve an ostensibly minor purpose — say, to exhibit a collection of Hiroshige woodblock prints, or to sell Taiwanese pineapple cakes, or to house a Starbucks or a museum dedicated to the history of dentistry, like the GC Prostho Museum and Research Center, photographed here by @stefanruizphoto. But at 63, Kengo is now poised to achieve international renown. However, his potential status as a globally known #architect may hinge on one building alone: the National Stadium for the @2020年東京オリンピック Olympics. Kengo's plan, like much of his work, is rather simple in its initial impression and as unobtrusive as a massive stadium can be. But whether he can successfully translate his rural and minute designs to a global stage remains to be seen. Visit the link in our profile to read more about #KengoKuma’s architecture of the future.

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