ブルックリン美術館のインスタグラム(brooklynmuseum) - 12月17日 23時06分

These images of menace retain a uniquely human empathy. Goya’s Spaniards huddle under blankets on a tree branch, likely representing the artist’s fear of King Ferdinand VII’s renewed conservatism, having abolished Spain’s first liberal Constitution in 1814. Similarly teetering between hope and despair, the iconic still from Eisenstein’s Battleship Potemkin shows a mother clutching her son, defiant against the Cossack officers and their civilian massacre. Longo’s destroyed Assyrian sculpture refers to an attack of cultural vandalism, but nonetheless offers a poignant personal detail in the top left—a figure in their house slippers. #proofbkm

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