ブルックリン美術館のインスタグラム(brooklynmuseum) - 11月26日 23時00分

These compositions show a rightward gaze. #FranciscoGoya’s print shows a battlefield, the French invading army on horses and violent fighting beneath. Illustrating Goya’s estimation of war’s ills, the horse alone stands peaceful and dignified before the encroaching white void—is it cannon smoke? Death? Are they on a cliff, like #SergeiEisenstein’s medieval soldiers? In both cases what’s to the right may be “empty,” but full of meaning. Similarly #RobertLongo’s bald eagle, though divorced from a narrative scene, is imbued with multivalent—and for Longo, abused—symbolic associations. #proofbkm

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