テート・ギャラリーのインスタグラム(tate) - 10月6日 04時47分

‘My attachment to the England of saucy postcards, deviant vicars, cross-dressing dames, surrealist humour and whoopee cushions was tempered by darker undercurrents of violence, racism, greed, loneliness and quiet desperation.’ – Chris Steele-Perkins
Burma-born British photographer @steeleperkins has been a member of the Magnum Photos cooperative since 1979. His book ‘The Pleasure Principle’, captured the kaleidoscopic hedonism of 1980s England. In a recent article for #TateEtc magazine, Chris looks back at these images that were, he says, ‘fed by a bewilderment about identity’. (Link in bio for article)

Hypnosis demonstration, Cambridge University Ball
From Chris Steele Perkins, The Pleasure Principle 1980–9

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