ニューヨーク・タイムズのインスタグラム(nytimes) - 10月28日 12時20分

Kesha (@iiswhoiis) is “the only performer I can think of that has gone from being packaged to real,” Ben Folds (@murkanpianist), the singer-songwriter, musician and producer, told @nytmag. “Most of the time people start off, and it’s like their rawness is what breaks through, and then they have to continue to build that into a more polished commercial thing. What she’s actually doing is the opposite, where she’s now showing that actually, there is something really huge beneath the whole thing.” @iiswhoiis is no longer the artist we met in the late aughts: blazing $ in her name in place of the S, 24-7 party girl, dredged in oil and breaded in glitter. Now she’s someone in suspended animation, unable to release new music pending contract litigation, touring small clubs to make money to help fund her lawsuit and to ensure her fans don’t forget her. Now, she’s someone who wants to work and make music, just without the man she says raped her. Now, @iiswhoiis is a cause. Visit the link in our profile to read more about the contract dispute and rape claim that sent Kesha’s career into the wilderness. @jackdavisonphoto took this portrait of #Kesha while on assignment for @nytmag.

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