ニュー・ミュージアム・オブ・コンテンポラリー・アートのインスタグラム(newmuseum) - 2月13日 08時06分

In Anri Sala’s immersive installation, Ravel Ravel (2013), two interpretations of Maurice Ravel’s “Piano Concerto for the Left Hand in D-major” (1929–30) are projected simultaneously in a semi-anechoic chamber, a space designed to absorb sound. Sala recomposed the tempo of the concerto for each pianist so that the two performances progress in and out of sync to produce the perception of musical echoes—a paradoxical experience in a space in which actual echoes are impossible. #AnriSala ?: Maris Hutchinson/EPW Studio

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