スタジオ ニコルソンさんのインスタグラム写真 - (スタジオ ニコルソンInstagram)「Financial Times HTSI | Simon Chilvers in conversation with founder and creative director Nick Wakeman.   “My concept was to make an accessible brand using premium fabrics,” says Wakeman. “Back then, there was Celine and Cos. There was nothing in between.”   The first collection was based on her own wardrobe of shirts, jeans and men’s jackets that she’d altered to fit. “I’ve always been a bit of a tomboy. A pair of dungarees I had as a kid were everything to me.”   Architecture is a strong influence on Wakeman. She cites Tadao Ando’s raw concrete blocks with air holes in the middle, admiring his use of light.   “These things are really inspiring to me because I think about clothing in quite an architectural way. I want that line to fall off there…” She mimes imaginary angles. “Houses and buildings are like clothing: they’re there to protect you.”  Photographed by Joshua Tarn | #studionicholson」10月7日 19時53分 - studionicholson

スタジオ ニコルソンのインスタグラム(studionicholson) - 10月7日 19時53分


Financial Times HTSI | Simon Chilvers in conversation with founder and creative director Nick Wakeman.

“My concept was to make an accessible brand using premium fabrics,” says Wakeman. “Back then, there was Celine and Cos. There was nothing in between.”

The first collection was based on her own wardrobe of shirts, jeans and men’s jackets that she’d altered to fit. “I’ve always been a bit of a tomboy. A pair of dungarees I had as a kid were everything to me.” 

Architecture is a strong influence on Wakeman. She cites Tadao Ando’s raw concrete blocks with air holes in the middle, admiring his use of light.

“These things are really inspiring to me because I think about clothing in quite an architectural way. I want that line to fall off there…” She mimes imaginary angles. “Houses and buildings are like clothing: they’re there to protect you.”

Photographed by Joshua Tarn | #studionicholson


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