トームさんのインスタグラム写真 - (トームInstagram)「Our List 2020 #katherinehattam #MelbourneNow #NGV @kathattam @ngvmelbourne Katherine Hattam works across painting, drawing, collage, printmaking and sculpture, with her practice frequently interrogating language, particularly the written word, as well as dialects of domesticity, family and the self. Two-sided and suspended in space, Our list, 2020, continues Hattam’s practice of infusing her works with the objects and influences that have shaped her. Recent works, including this one, have been created in response to Philip Guston’s 1973 painting Pantheon, in which Guston listed a personal canon of European male painters. In Our list, Hattam rewrites the record with a new list resulting from a survey of 200 peers regarding their favourite women artists – Australian and international, living and dead. Reflecting on these works in an essay for the 2020 exhibition Katherine Hattam: The Landscape of Language, Dr Anne Norton writes: Hattam’s Pantheon is collaborative where Guston’s was individual, and though hers refuses his implicit universalism, hers is larger, encompassing more kinds of work, more spaces, peoples and cultures. Guston’s was an avowal, it sought to settle. Hattam’s is unsettling. Guston’s list is an answer, Hattam’s list questions … Hattam reminds us of the people we do not know, the work we missed, of rents and wounds, elisions and concealments.」5月4日 22時24分