The New Yorkerのインスタグラム(newyorkermag) - 2月28日 10時10分

On the first day of filming “Dickinson,” Alena Smith informed the cast and crew that she was a feminist showrunner; the “Dickinson” set was a feminist space. She wanted her actors to feel safe exploring that which felt dangerous, to know that their boundaries would always be honored. That was not her experience coming up in television. “My first TV job was before #MeToo, before Trump,” she said. “And, for me, personally, in the intervening five years, centrism has seemed less and less like a good answer to the problems that we have.” At the link in our bio, read more about Smith’s career and her plans for Season 3 of Apple’s breakout hit, which will hoist the characters squarely into the 1860s.

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