ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#GagosianQuarterly: "Most of what is usually called political art is really polemical art, pointing a finger to assert a belief or assign a blame. In that respect, it can substitute for activism, while urging it. Manet is not polemical; he does not urge. But he does dramatize as he reports. He is political in the strict sense of picturing the result of an unforgivable ethical failing in the practice of government and international affairs." —John Elderfield In this second installment of a two-part essay, John Elderfield resumes his investigation of Édouard Manet’s "Execution of Maximilian," focusing this time on the political and historical implications of the artist’s formal treatment of real, violent events. Follow the link in our bio to read the piece. _________ #EdouardManet #Gagosian François Aubert, "The Shirt of the Emperor, Worn during His Execution," 1867, Metropolitan Museum of Art, New York, Gilman Collection, Gift of the Howard Gilman Foundation, 2005」1月10日 21時34分