ニューヨーク近代美術館さんのインスタグラム写真 - (ニューヨーク近代美術館Instagram)「In remembrance of #JohnOutterbridge, who died in December, we're taking a close look at the artist's loaded assemblage from 1978-82, "Broken Dance, Ethnic Heritage Series."   Made from scavenged metals and rags, Outterbridge constructed a doll-like figure with truncated appendages that sits atop a small ammunition box equipped with an extended radio antenna.  The sculpture "exists in a quivering state of becoming," Nomaduma Rosa Masilela writes in an essay for our publication, Among Others: Blackness at MoMA, now available to read on #MoMAMagazine.  At the link in our bio, learn more about how the work injects new narratives into assemblage’s Dada-centric genealogy. See the sculpture in the #MoMACollection gallery, War Within, War Without. — [John Outterbridge. "Broken Dance, Ethnic Heritage Series." c. 1978-82. Stainless steel, wood, leather, sewn cloth, and ammunition box. © John Outterbridge. Courtesy of the artist] #InMemoriam」1月6日 6時50分 - themuseumofmodernart

ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 1月6日 06時50分


In remembrance of #JohnOutterbridge, who died in December, we're taking a close look at the artist's loaded assemblage from 1978-82, "Broken Dance, Ethnic Heritage Series."

Made from scavenged metals and rags, Outterbridge constructed a doll-like figure with truncated appendages that sits atop a small ammunition box equipped with an extended radio antenna.

The sculpture "exists in a quivering state of becoming," Nomaduma Rosa Masilela writes in an essay for our publication, Among Others: Blackness at MoMA, now available to read on #MoMAMagazine.

At the link in our bio, learn more about how the work injects new narratives into assemblage’s Dada-centric genealogy. See the sculpture in the #MoMACollection gallery, War Within, War Without.

[John Outterbridge. "Broken Dance, Ethnic Heritage Series." c. 1978-82. Stainless steel, wood, leather, sewn cloth, and ammunition box. © John Outterbridge. Courtesy of the artist] #InMemoriam


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