トームさんのインスタグラム写真 - (トームInstagram)「Meanwhile, in #London...  For this year’s edition of #FriezeSculpture, #SarahLucas presents a large-scale sculpture, #Sandwich, 2011-2020. Standing in opposition to traditional public sculpture, its horizontal configuration – inviting viewers to sit – opposes veneration and pomposity through its prosaic absurdity and functional accessibility. Mining at themes of British culture, Lucas ambiguously transposes the humble sandwich on a monumental scale with a metaphoric and literal sense of hyperbole; simultaneously satirising and celebrating the commonplace foodstuff as a proletariat symbol. The material austerity of the work (cast in concrete, the traces of production left undisguised), likewise elevates and inverts the object's ordinariness with irreverent humour. @sadiecoleshq @matt_glenn_」10月19日 6時09分 - tomenyc

トームのインスタグラム(tomenyc) - 10月19日 06時09分


Meanwhile, in #London...

For this year’s edition of #FriezeSculpture, #SarahLucas presents a large-scale sculpture, #Sandwich, 2011-2020. Standing in opposition to traditional public sculpture, its horizontal configuration – inviting viewers to sit – opposes veneration and pomposity through its prosaic absurdity and functional accessibility. Mining at themes of British culture, Lucas ambiguously transposes the humble sandwich on a monumental scale with a metaphoric and literal sense of hyperbole; simultaneously satirising and celebrating the commonplace foodstuff as a proletariat symbol. The material austerity of the work (cast in concrete, the traces of production left undisguised), likewise elevates and inverts the object's ordinariness with irreverent humour. @sadiecoleshq @matt_glenn_


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2020/10/19

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