ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#KatharinaGrosse: "The philosopher Leibniz had a theory of the so-called 'separatrix,' the 'between' two things that are contradictions. There’s always a line. On one side this is blue, and [on the other] this is red. In reality, red has embassies in the blue, and blue has embassies in the red. And Leibniz says fifty percent of this line, this structure 'between,' is order, and fifty percent is anarchy." —Alexander Kluge  Gagosian is pleased to present "Separatrix," an exhibition of new paintings and works on paper by Katharina Grosse, opening October 31 at Gagosian, Rome. Coinciding with Grosse’s major installation "It Wasn’t Us," currently on view at Hamburger Bahnhof–Museum für Gegenwart, Berlin, this is her first solo exhibition in Rome.  Grosse embraces the events that occur as she paints, opening up surfaces and spaces to chance. In massive in situ paintings—where she uses a spray gun to propel unmixed color over objects, rooms, buildings, and even entire landscapes—and autonomous works on canvas, paper, and sculptural supports, she stylizes gesture as a spontaneous mark of personal agency. Follow the link in our bio to learn more. __________ #Gagosian @katharina_grosse Katharina Grosse, "Untitled," 2019 (detail) © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Jens Ziehe」10月17日 2時40分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 10月17日 02時40分


#KatharinaGrosse: "The philosopher Leibniz had a theory of the so-called 'separatrix,' the 'between' two things that are contradictions. There’s always a line. On one side this is blue, and [on the other] this is red. In reality, red has embassies in the blue, and blue has embassies in the red. And Leibniz says fifty percent of this line, this structure 'between,' is order, and fifty percent is anarchy."
—Alexander Kluge

Gagosian is pleased to present "Separatrix," an exhibition of new paintings and works on paper by Katharina Grosse, opening October 31 at Gagosian, Rome. Coinciding with Grosse’s major installation "It Wasn’t Us," currently on view at Hamburger Bahnhof–Museum für Gegenwart, Berlin, this is her first solo exhibition in Rome.

Grosse embraces the events that occur as she paints, opening up surfaces and spaces to chance. In massive in situ paintings—where she uses a spray gun to propel unmixed color over objects, rooms, buildings, and even entire landscapes—and autonomous works on canvas, paper, and sculptural supports, she stylizes gesture as a spontaneous mark of personal agency. Follow the link in our bio to learn more.
__________
#Gagosian @katharina_grosse
Katharina Grosse, "Untitled," 2019 (detail) © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020. Photo: Jens Ziehe


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