トームのインスタグラム(tomenyc) - 9月19日 06時59分

“Well, we have to end apartheid for one.

And slow down the nuclear arms race, stop terrorism and world hunger.

We have to provide food and shelter for the homeless, and oppose racial discrimination and promote civil rights, while also promoting equal rights for women.

We have to encourage a return to traditional moral values.
Most importantly, we have to promote general social concern, and less materialism in young people.” #PatrickBateman
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"In Conversation: Mary Harron On almost losing American Psycho, fighting to cast Christian Bale, and why the movie’s reception reminds her of Joker.
(By @lilapearl @vulture )

“Women directors don’t have the danger of going mad with power,” Harron said. “I actually think that’s an advantage. It’s better to live in the real world.”
Mary Harron was 42 when she got the green light to direct her first film, I Shot Andy Warhol. Pitching it hadn’t been easy. When producers heard she wanted to make a movie about Valerie Solanas, the radical feminist who shot Warhol, they were disturbed. In her infamous SCUM Manifesto, Solanas had advocated killing all men. “People were like, ‘This is crazy,’” Harron recalled. “‘Not just crazy — but bad, evil.’” The film turned out to be a hit at Sundance, but making movies never got easier for Harron. Every project was a struggle, perhaps because Harron was only interested in telling stories about psychopaths and outcasts and never tried to explain, justify, or condemn their behavior.

Her second film, American Psycho, was greeted with a mix of admiration and scorn. Some critics got it. They understood that Harron’s adaptation of Bret Easton Ellis’s shocking 1991 novel of manners and murders was meant to be a nasty comedy about the narcissistic rage lurking beneath the shiny façade of American capitalism. But most reviewers failed to find it funny. Kenneth Turan of the Los Angeles Times called it a “stillborn, pointless piece of work” and took offense at what he perceived as its ethos of “man-hating misandry.” Twenty years on, the culture has finally caught up to Harron and to her complicated form of feminism, which refuses to fit into a tidy ideological framework.”
#AmericanPsycho

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