The New Yorkerのインスタグラム(newyorkermag) - 9月16日 21時30分

The Pulitzer-Prize winning playwright and novelist Ayad Akhtar is an obsessive autodidact, with interests spanning from medieval Christian theology to economic theory. But as arcane as his intellectual tastes can be, he is determined to appeal to a broad public; he describes his work as “Proust meets Jerry Springer.” His latest novel, "Homeland Elegies," explores the splintering of a family and a country, turning on Akhtar’s sense of alienation as a Muslim man in the United States after September 11th. One of the novel’s theses is that President Trump is the logical outcome of the country’s trajectory in the past half century, the period during which Akhtar’s parents put down their roots. These facts, Akhtar came to believe, were intertwined—to get at what had landed a demagogue in the White House, he had to take aim at himself. Read Alexandra Schwartz's profile at the link in our bio. Photograph by @cole_barash for The New Yorker.

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