The New Yorkerのインスタグラム(newyorkermag) - 8月21日 23時05分

Although Michael Rakowitz has never been to Iraq, the influence of his Baghdadi Jewish family’s estrangement from the country is legible in much of his art. “Michael tries to bring forth something that is dead,” his mother says. “He converts a discarded thing into something else—to say, ‘Look, acknowledge us.’ ” In one long-running project, Rakowitz has “re-appeared” destroyed Iraqi artifacts, creating provocative objects that summon both the cultural and the human loss of the Iraq war. “I wanted to keep the wound alive, and show the urgency, the impossibility, of making these things again,” he says. At the link in our bio, read more about how Rakowitz’s art seeks to reclaim a lost Iraq. Photograph by @paul.damato for The New Yorker

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