The New Yorkerのインスタグラム(newyorkermag) - 8月14日 23時15分
The Nigerian artist @toyinojihodutola’s new series began with a question: what would it look like if the world were made by female imperialists—and if the powerful women she was drawing were the masters, over whom did they have mastery? Her thought experiments extend beyond the merely hierarchical, Zadie Smith writes: “By positioning the unexpected figure of the black woman as master, as oppressor, she suspends, for a moment, our focus on the individual sins of people—the Mississippi overseer, the British slave merchant, the West African slave raider—and turns it back upon enabling systems.” Read more at the link in our bio.
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