メトロポリタン美術館さんのインスタグラム写真 - (メトロポリタン美術館Instagram)「"I see myself as a well-working lens, a perceiver of something that exists independently of me: don’t look at me, look at what I’ve found."  Born #OnThisDay in 1910, Hedda Sterne arrived in New York in 1941 as a refugee of World War II. Through 1958 she drew inspiration from the motion, architecture, and scale of her new home.  Using aerosol spray paint in this early 1950s work, Sterne effectively translates her view of the city as a "gigantic carousel in continuous motion" onto canvas.  🎨 #HeddaSterne (American, born Romania, 1910–2011). Third Avenue El, 1952–53. Oil and spray enamel on canvas. © Estate of Hedda Sterne #MetModern #5WomenArtists  [Image description: An abstract work created with a mix of oil and spray paint. Airbrushed strokes of black, red, and yellow come together to create the beams of a steel bridge set against a hazy blue-grey backdrop.]」8月5日 6時09分 - metmuseum

メトロポリタン美術館のインスタグラム(metmuseum) - 8月5日 06時09分


"I see myself as a well-working lens, a perceiver of something that exists independently of me: don’t look at me, look at what I’ve found."

Born #OnThisDay in 1910, Hedda Sterne arrived in New York in 1941 as a refugee of World War II. Through 1958 she drew inspiration from the motion, architecture, and scale of her new home.

Using aerosol spray paint in this early 1950s work, Sterne effectively translates her view of the city as a "gigantic carousel in continuous motion" onto canvas.

🎨 #HeddaSterne (American, born Romania, 1910–2011). Third Avenue El, 1952–53. Oil and spray enamel on canvas. © Estate of Hedda Sterne #MetModern #5WomenArtists

[Image description: An abstract work created with a mix of oil and spray paint. Airbrushed strokes of black, red, and yellow come together to create the beams of a steel bridge set against a hazy blue-grey backdrop.]


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