ガゴシアン・ギャラリーさんのインスタグラム写真 - (ガゴシアン・ギャラリーInstagram)「#GagosianSpotlight: In the early 1990s, Rudolf Polanszky moved away from the legacy of Viennese Actionism, turning his attention instead to the formal potential of sculpture and mixed-media painting with the series “Reconstructions.” To make these shimmering, richly textured works, he uses salvaged industrial materials such as acrylic glass, aluminum, mirrored foil, resin, silicone, and wire, recombining them into purely aesthetic forms divorced from their original contexts. Polanszky often leaves his raw materials outside, letting the elements help determine the work’s final form. Taking improvisational cues from his father’s occupation as a jazz musician, Polanszky’s term for this process, “ad hoc synthesis,” reveals an enduring interest in combining conscious artistic strategy with the operation of random incident to generate new meaning.   These “Reconstructions” were included in the exhibition of Polanszky’s work which went on view earlier this year at Gagosian New York. A work from this exhibition, “Reconstructions/Translinear Floating Segments no. 1” (2018), is now available for forty-eight hours only, as part of Polanszky’s Artist Spotlight. Follow the link in our bio to learn more.  	__________ #RudolfPolanszky #Gagosian “Rudolf Polanszky,” Gagosian, 541 West 24th Street, New York, March 3–April 11, 2020. Artwork © Rudolf Polanszky; video: Pushpin Films (@pushpinfilms)」7月4日 0時40分 - gagosian

ガゴシアン・ギャラリーのインスタグラム(gagosian) - 7月4日 00時40分


#GagosianSpotlight: In the early 1990s, Rudolf Polanszky moved away from the legacy of Viennese Actionism, turning his attention instead to the formal potential of sculpture and mixed-media painting with the series “Reconstructions.” To make these shimmering, richly textured works, he uses salvaged industrial materials such as acrylic glass, aluminum, mirrored foil, resin, silicone, and wire, recombining them into purely aesthetic forms divorced from their original contexts. Polanszky often leaves his raw materials outside, letting the elements help determine the work’s final form. Taking improvisational cues from his father’s occupation as a jazz musician, Polanszky’s term for this process, “ad hoc synthesis,” reveals an enduring interest in combining conscious artistic strategy with the operation of random incident to generate new meaning. 

These “Reconstructions” were included in the exhibition of Polanszky’s work which went on view earlier this year at Gagosian New York. A work from this exhibition, “Reconstructions/Translinear Floating Segments no. 1” (2018), is now available for forty-eight hours only, as part of Polanszky’s Artist Spotlight. Follow the link in our bio to learn more. 
__________
#RudolfPolanszky #Gagosian
“Rudolf Polanszky,” Gagosian, 541 West 24th Street, New York, March 3–April 11, 2020. Artwork © Rudolf Polanszky; video: Pushpin Films (@pushpinfilms)


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