スキャパレリのインスタグラム(schiaparelli) - 5月17日 01時47分

1936, the year Schiaparelli presents a collection themed around the concept of drawers. There were suits and coats alike, with trompe l’oeil chest drawers as chest pockets, complete with resin drop handles and knobs becoming buttons. A deceptively simple idea with fascinating origins.
The source of inspiration can be clearly traced back to August 1936, when Salvador Dali gifted Schiaparelli a drawing marked with the message: "Suit with semi-rigid and soft drawers, stripped chain imitation fabric, natural oak drawer cuffs. For Schiaparelli. Her friend Salvador Dali." Heavily influenced by the work of Sigmund Freud, Dali had just completed ‘The Anthropomorphic Cabinet’, a haunting depiction of a woman whose torso is a chest of drawers.  Freud taught what Dali painted, that the human body was made up of many different compartments, or drawers, and only accessed by the subconscious.
Thus began an artistic conversation to which Schiaparelli, clearly inspired by the subject, responded on her own terms: conceptual tailoring made of sumptuous navy blue velvet. 
The creative loop around this topic closed with a touch from the legendary Cecil Beaton, who immortalized the drawer collection in a series of photographs published in Vogue later that year. The model featured in the photographs is spotted holding an issue of Andre Beton's magazine Minotaure from 1933, with Dali's work on the cover.
#espritSchiap #Schiaparelliandtheartists
Credits :
1. Salvador Dali by Cecil Beaton Vogue 1936 © Condenast Publications Inc
2. Schiaparelli suit with drawer pockets designed by Dali for Schiaparelli © Salvador Dalí / ADAGP
3. Photographs by Kollar © All rights reserved
4. Elsa Schiaparelli & Salvador Dali 1949 © Archives Snark

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