ブルックリン美術館のインスタグラム(brooklynmuseum) - 8月29日 23時22分

Technical innovations and revivals, creative exploration in all mediums, and a growing market for all kinds of drawn and printed images helped define the nineteenth-century art world. This period witnessed the invention of lithography, a revival of etching, and the resurgence of the “painter-printmaker,” allowing artists to experiment with technique, color, and reproduction in new and revelatory ways. While some artists, like #ÉdouardManet, used printmaking as a means to popularize their paintings, others, like #HenrideToulouseLautrec, explored the possibilities of printmaking to produce original works of art. #BKMWorksonPaper ⁠⠀
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Paul Signac (French, 1863-1935). Harbour Scene, ca. 1894. Lithograph in six colors on wove paper. By exchange, 38.118 ⇨ Édouard Manet (French, 1832-1883). Lola de Valence, 1862-1863. Etching and aquatint on paper. Designated Purchase Fund, 77.164 ⇨ Charles Méryon (French, 1821-1868). Le Stryge, 1853. Etching on laid paper. Gift of Mrs. Charles Pratt, 57.188.31 ⇨ Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte (French, 1787-1858). Amazone, 1826. Chalk lithograph with chine colle, Designated Purchase Fund, 80.57.1 ⇨ Henri de Toulouse-Lautrec (French, 1864-1901). Miss Loïe Fuller, 1893. Color lithograph on wove paper. Museum Collection Fund, 39.25

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