グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「In 2009, #AnnHamilton created a site-specific installation responding to “The Third Mind: American Artists Contemplate Asia, 1860-1989.” Building on the artist's interests in language, architecture, materiality, and the body, “human carriage” gathered sliced cross sections of books that served as the intellectual foundation for the exhibition. Several times a day, a “reader” standing at the top of the museum's ramp attached a bundle of these books to a wheeled carriage adorned with a pair of Tibetan temple cymbals. As the carriage spiraled down the ramps along an aluminum track, the bells rang repeatedly, until the books dropped into a large heap at the bottom of the rotunda. In this way, “human carriage” evoked the processes of circulation, interpretation, appropriation, and misunderstanding that take place when cultural knowledge travels and is transmitted from one cultural context to another. __ Since opening in 1959, our Frank Lloyd Wright-designed museum has served as inspiration for invention, challenging artists and architects to react to its eccentric, organic design. Follow #Guggenheim60 to discover more artist interventions during our 60th anniversary year!  Photos: David Heald #Guggenheim #ArtistInterventions」8月7日 7時15分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 8月7日 07時15分


In 2009, #AnnHamilton created a site-specific installation responding to “The Third Mind: American Artists Contemplate Asia, 1860-1989.” Building on the artist's interests in language, architecture, materiality, and the body, “human carriage” gathered sliced cross sections of books that served as the intellectual foundation for the exhibition. Several times a day, a “reader” standing at the top of the museum's ramp attached a bundle of these books to a wheeled carriage adorned with a pair of Tibetan temple cymbals. As the carriage spiraled down the ramps along an aluminum track, the bells rang repeatedly, until the books dropped into a large heap at the bottom of the rotunda. In this way, “human carriage” evoked the processes of circulation, interpretation, appropriation, and misunderstanding that take place when cultural knowledge travels and is transmitted from one cultural context to another.
__
Since opening in 1959, our Frank Lloyd Wright-designed museum has served as inspiration for invention, challenging artists and architects to react to its eccentric, organic design. Follow #Guggenheim60 to discover more artist interventions during our 60th anniversary year!

Photos: David Heald
#Guggenheim #ArtistInterventions


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