ニューヨーク近代美術館のインスタグラム(themuseumofmodernart) - 8月3日 00時08分
“Black Girl’s Window” (1969) is a pivotal work from the first decade of #BetyeSaar’s now six-decade career, marking the moment when her practice shifted from primarily printmaking to collage and assemblage. Deeply autobiographical, the work weaves together references to the private, the public, and the mystical. See it when a #newMoMA reopens this fall in our exhibition “Betye Saar: The Legends of Black Girl’s Window’”—an exploration of Saar’s experimental print practice and the evolution of her artistic language tracing themes of family, history, and mysticism. Take a closer look: mo.ma/saarwindow (link in bio)
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[Credit: Betye Saar. “Black Girl's Window.” 1969. Wooden window frame with paint, cut-and-pasted printed and painted papers, daguerreotype, lenticular print, and plastic figurine. Gift of Candace King Weir through The Modern Women's Fund, and Committee on Painting and Sculpture Funds]
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