ロサンゼルスカウンティ美術館さんのインスタグラム写真 - (ロサンゼルスカウンティ美術館Instagram)「“Untitled (Divine Proportion)” employs the historical past in order to explore the object in the present. 🔎 While the type of wood and the way it is crafted recalls the making of utilitarian objects of an earlier era, Weiwei’s contemporary work of art is thoroughly of our moment. With its nail-free joinery technique, “Divine Proportion” speaks to the circle or globe as an inherently well put together place, strong in its connection and rich in its natural cohesion. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ See this piece in “The Allure of Matter: Material Art from China,” on view now. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ © Ai Weiwei, photo © Museum Associates/LACMA」6月12日 9時23分 - lacma

ロサンゼルスカウンティ美術館のインスタグラム(lacma) - 6月12日 09時23分


“Untitled (Divine Proportion)” employs the historical past in order to explore the object in the present. 🔎 While the type of wood and the way it is crafted recalls the making of utilitarian objects of an earlier era, Weiwei’s contemporary work of art is thoroughly of our moment. With its nail-free joinery technique, “Divine Proportion” speaks to the circle or globe as an inherently well put together place, strong in its connection and rich in its natural cohesion.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
See this piece in “The Allure of Matter: Material Art from China,” on view now.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
© Ai Weiwei, photo © Museum Associates/LACMA


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