グッゲンハイム美術館さんのインスタグラム写真 - (グッゲンハイム美術館Instagram)「Did you #GuessTheArtist correctly? Here’s the full view of Vincent van Gogh's "Roadway with Underpass (Le viaduct)" (Asnières, 1887)  __ “I am getting well acquainted with nature. I exaggerate, sometimes I make changes in a motif; but for all that, I do not invent the whole picture; on the contrary, I find it all ready in nature, only it must be disentangled.”—Vincent van Gogh. While living in Paris, Van Gogh made frequent excursions to the suburb of Asnières to escape the urban environment and paint in nature before his subject, a method he often advocated to other artists. For this painting, Van Gogh chose the vantage point of a traveler en route from Asnières, which is suggested by a dim glow at the end of the tunnel. The figure dressed in black walking into the darkness midway in the tunnel lends a vague air of forewarning. Learn more about the artist at guggenheim.org/collection. #Guggenheim #GuggenheimCollection #VincentvanGogh #VanGogh」5月26日 6時08分 - guggenheim

グッゲンハイム美術館のインスタグラム(guggenheim) - 5月26日 06時08分


Did you #GuessTheArtist correctly? Here’s the full view of Vincent van Gogh's "Roadway with Underpass (Le viaduct)" (Asnières, 1887)

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“I am getting well acquainted with nature. I exaggerate, sometimes I make changes in a motif; but for all that, I do not invent the whole picture; on the contrary, I find it all ready in nature, only it must be disentangled.”—Vincent van Gogh. While living in Paris, Van Gogh made frequent excursions to the suburb of Asnières to escape the urban environment and paint in nature before his subject, a method he often advocated to other artists. For this painting, Van Gogh chose the vantage point of a traveler en route from Asnières, which is suggested by a dim glow at the end of the tunnel. The figure dressed in black walking into the darkness midway in the tunnel lends a vague air of forewarning. Learn more about the artist at guggenheim.org/collection. #Guggenheim #GuggenheimCollection #VincentvanGogh #VanGogh


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