TIME Magazineさんのインスタグラム写真 - (TIME MagazineInstagram)「Casual moviegoers who know #DorisDay only from the early 1960s comedies she did with Rock Hudson ('Pillow Talk,' 'Lover Come Back') or James Garner ('The Thrill of It All,' 'Move Over, Darling') would have enough reasons to love her right there. Day—who was born Doris Mary Ann Kappelhoff in Cincinnati, and who died May 13 at age 97—was delightful in those pictures, a sunny, carbonated presence whose understated carnality was always just bubbling under the surface, writes TIME's film critic Stephanie Zacharek. She was never crude or over-the-top or even, really, suggestive; she was just sexy. The more you think about Day, it seems, the less you know. Everyone knows her megahit, “Que Sera, Sera,” a sort of anthem about going whichever way the wind takes you. Day has always been so charming as a presence that it has sometimes been easy to lose sight of what a phenomenal actor she was. In 'The Man Who Knew Too Much,' she plays a woman—a devoted mother and dutiful wife—cast squarely in what we think of as the ‘50s mold. But there’s no suburban complacency in her performance: She’s practically feral, so distraught over the loss of her son that she reverts to a state of wildness. This is one of the great women’s performances of the 1950s. Read Zacharek's full remembrance at the link in bio. Photograph by Silver Screen Collection—@gettyimages」5月14日 7時02分 - time

TIME Magazineのインスタグラム(time) - 5月14日 07時02分


Casual moviegoers who know #DorisDay only from the early 1960s comedies she did with Rock Hudson ('Pillow Talk,' 'Lover Come Back') or James Garner ('The Thrill of It All,' 'Move Over, Darling') would have enough reasons to love her right there. Day—who was born Doris Mary Ann Kappelhoff in Cincinnati, and who died May 13 at age 97—was delightful in those pictures, a sunny, carbonated presence whose understated carnality was always just bubbling under the surface, writes TIME's film critic Stephanie Zacharek. She was never crude or over-the-top or even, really, suggestive; she was just sexy. The more you think about Day, it seems, the less you know. Everyone knows her megahit, “Que Sera, Sera,” a sort of anthem about going whichever way the wind takes you. Day has always been so charming as a presence that it has sometimes been easy to lose sight of what a phenomenal actor she was. In 'The Man Who Knew Too Much,' she plays a woman—a devoted mother and dutiful wife—cast squarely in what we think of as the ‘50s mold. But there’s no suburban complacency in her performance: She’s practically feral, so distraught over the loss of her son that she reverts to a state of wildness. This is one of the great women’s performances of the 1950s. Read Zacharek's full remembrance at the link in bio. Photograph by Silver Screen Collection—@gettyimages


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