アレキサンダー・マックイーンさんのインスタグラム写真 - (アレキサンダー・マックイーンInstagram)「#McQueenUnlockingStories Paper dolls were made to perfect the trompe l’oeil effect of the print on the bodice, pleats and dress edge, as the print was so intricately detailed. At least 30 pattern pieces were individually engineered so that each part of the print matches the complexities of the portrait neckline, poet sleeves and full skirt. Twenty metres of silk taffeta were printed for this dress. Ophelia’s dolls would ordinarily be housed in the studio, along with the full-size paper model of the dress. For the duration of the current Unlocking Stories Exhibition, the paper dolls can be seen in the Exhibition Space at our London Flagship on 27 Old Bond Street. The flowers worn as garlands in the Julia Margaret Cameron portraits inspired the development of the Ophelia Dress. Still-life photographs of flowers taken by the team were digitally superimposed over a digital scan of the Victorian wedding dress. To understand the complexity of the proportion of the print, it was rendered at full-size. The result — the ghostly ‘angel’ of Ophelia — gave Sarah Burton a clear idea on a flat plane of how the pattern of flowers would play across the dress. To keep the trace of the scalloped hem of the wedding dress visible, Sarah Burton placed the edge of the print several inches above the hemline. Waisted, corseted silhouettes are an Alexander McQueen signature. The development of this one took many steps, using original vintage cotton boned corsets to act as a basis. Experts in the atelier analysed the structures, and constructed several examples of boned toiles in white cotton. #27OldBondStreet #AlexanderMcQueen」5月6日 17時32分