Vogueのインスタグラム(voguemagazine) - 2月13日 06時11分

Thanks to a monklike regimen of work and rest, @rickowensonline—despite being accountable to a small empire of nine namesake stores, a busy e-commerce site, multiple diffusion lines, and a furniture brand—feels fresh at a ragged-running moment in fashion. (It may help that he’s accountable largely to himself: Rick Owens is one of the very few remaining major independent labels headquartered in Paris.) “I’m not tortured because everything is so fast. I like it fast,” Owens says. He’s something of a classicist who sees his work in dialogue with archetypes of human dress that have lasted thousands of years: armor, theater, naturalism. “It makes you feel a little insignificant, in a reassuring way.” And as a student of cyclical history, he’s learned to trust that all artful and well-made things eventually return with a new life. Tap the link in our bio to read our full interview. Photographed by @antoncorbijn4real, Vogue, March 2019

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