テート・ギャラリーのインスタグラム(tate) - 2月8日 07時22分

Pierre Bonnard liked to work on many paintings at the same time, lining his walls with canvas. He would work on different subjects on the same roll of canvas and then cut them once each was completed. He would even roll the canvases up and take them from place to place. ? Resuming his work was part of an attempt to rediscover the original experience, bringing it into the present without losing its place in the past. Some paintings would take months, even years, to resolve.

Pierre Bonnard, Nude in an Interior 1935, National Gallery of Art (Washington), on display in The C C Land Exhibition: #PierreBonnard — The Colour of Memory at Tate Modern. A number of the paintings in the exhibition have been taken out of their frames in order to give a sense of how they appeared when Bonnard was working on them. He usually pinned his canvas directly on the wall, rather than using an artist’s easel. ?

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