Vogueのインスタグラム(voguemagazine) - 1月12日 00時29分

The annual tech trade show #CES wraps up today in Las Vegas, and this year, the biggest news to come out of the event had to do with a product that wasn't there: Osé, a robotic vibrator, was banned from the show by organizers who deemed the toy some combination of "immoral, obscene, profane" and/or "not in keeping with" the Mom 'n' apple pie image of the Consumer Technology Association. An association that, at last year's CES show, took great pride in debuting Harmony, Abyss Creations' hyper-realistic, AI-enabled sex doll. That gender double-standards exist in the male-dominated tech industry isn't surprising, exactly—but what the Osé contretemps points up is the danger that technology invents a future where such double-standards worsen, or at the very least, persist.
Meredith Danluck's short doc, Sex Object, ventures into the fraught territory where gender, sexuality and technology intersect. Two character studies are juxtaposed in the film: David Mills, a West Virginia-based author, introduces us to his sex doll Taffy, and model, actress and Instagram star @キャロライン・ヴリーランド contemplates the fine distinction between a sex object and a sex symbol. Along the way, Danluck inquires into the ways technology—be it interactive sex dolls, plastic surgery, or Instagram filters—serve to reaffirm conventions around femininity and female sexuality, and may be replacing our desire to connect IRL.
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Director Meredith Danluck
Director Of Photography Jake Burghart
Editor Ian McGee

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