フィラデルフィア美術館のインスタグラム(philamuseum) - 10月29日 02時49分

For three days in October 1968, the picturesque town of Amalfi, in the south of Italy, became the site for an innovative and adventurous project that included a dynamic group of Italian and international artists, critics, and curators.This three-day event, a hybrid between art exhibition, performance, and symposium, was titled “Arte povera più azioni povere.” “Arte Povera: Homage to Amalfi ‘68” brings together a selection of sculptures, paintings, and archival photographs that attest to #ArtePovera ’s seismic shift from painting to object, studio to street, and traditional materials to improvised approaches to making and thinking about art.
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“Untitled,” 1968 by Mario Merz. Photo courtesy of Lia Rumma. © 2018 Estate of Mario Merz/Artist Rights Society (ARS), New York.

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