村上隆のインスタグラム(takashipom) - 9月13日 07時48分

👉 and each and every one of them has deadlines. Once a deadline is met, that region could relax, so I graft the new idea onto that relaxed region in order to nurture and grow it. This is the process I endlessly repeat, and as such, I can never see the end of it; a day of unease is endlessly followed by another, and only for a moment when a project is complete do I get to experience a modicum of sense of liberation. As a distant result of such a thankless, humorless repetition, interesting works get made.
Dealing with this unbroken chain of tension and relief is truly a hard labor and I have recently come to realize that I can only continue doing this for a few more years. This is why I suggested I think 2018 has been quite an amazing year for artist Takashi Murakami. You could say I’m in my artistic prime, a fish at its peak fattiness. Really, it’s the best year ever for me, with enough guts, energy, and spirit to take on one challenge after another, turning ideas into works in quick succession. This is an exhibition that takes place in Hong Kong in the fall of this optimal year. as the title of this show, but Nick Simunovic of Gagosian Hong Kong chose the other, shorter option… But what I wrote in that long title is my true feeling. At the same time, I have to tackle the new challenge of how to overcome my artistic limits and move forward for the next 10 years, which makes my spirit deflate even more. 🙏
translation @tabi_the_fat Yuko Burtless Sakata 🙇‍♂️

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