Disney Pixarのインスタグラム(pixar) - 3月9日 12時31分

“My background is in performance and dance. I had moved to the Bay Area and ended up getting a job at Pixar as a PA. That was in 1996, and we were working on the Toy Story CD-ROM. I had really never thought about working in animation, but once I got here, I realized that there were so many aspects that made sense to me—things that I had studied in performance that could be applied to animation, like acting, choreography, and movement analysis... At the end of the CD-ROM, my boss came to me and asked, ‘So what do you want to do?’ I don’t think they were expecting it, but I said, ‘I’d love to be an animator!’ They shifted me over to animation as a PA. I started staying late and studying the principles of animation, and a couple of animators took me under their wing and started mentoring me. I put together a reel which I have never seen and I’m sure is terrible, but @petedocter looked at it and probably took pity on me, or at least was impressed by how hard I worked and hired me on as the first fix animator on A Bug’s Life. I was a coordinator AND the fix animator. So I would go to the meetings and take all the notes, and then run back to my desk and do the notes.” –Bret Parker, #Incredibles2 Animation Second Unit and Crowd Supervisor and voice of Kari #IncredibleWomenOfPixar #InsidePixar #InternationalWomensDay | ?: Deborah Coleman

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